Earlier this year, Elyse Kelly of NeonZoon and I partnered with Benjamin Harbert, Joel Castón, and Michael Woody on Listening Guide for Incarceration, a staged documentary performance exploring how sound shapes life inside prison.
Watching our work become part of a live performance alongside such an incredible cast was a special experience.
Director & Animator: Joumana Ismail
Producer & Compositor: Elyse Kelly
Jail’s soundscape is unyielding, like a crowded stadium. Voices, machinery, and more create a chaotic environment, impacting mood and awareness despite attempts to find quiet. Anthrophonic (human-produced) sounds dominate the carceral soundscape, amplifying the challenges of discerning meaningful signals amidst a cacophony of human-generated noise.
The absence of natural sounds narrows the spectrum of frequencies, akin to listening through a filtered lens, while simultaneously heightening the significance of human voices as potential indicators of social dynamics and interpersonal interactions. In this context, voices resonate with complexity, simultaneously burdening and informing narrative and tactical listening practices.